No man can live with Death and know that everything is nothing.ĭeath: Most people think neither of Death nor nothingness.īlock: Until they stand on the edge of life and see the Darkness.īlock: I see. I cry to Him in the dark, but there seems to be no one there.

I want God to put out His hand.show His face, speak to me. Is it so hard to conceive God with one's senses? Why must He hide in a midst of vague promises.and invisible miracles? How are we to believe the believers when we don't believe ourselves? What will become of us who want to believe, but cannot? And what of those who neither will nor can believe? Why can I not kill God within me? Why does He go on living in a painful, humiliating way? I want to tear Him out of my heart.but He remains a mocking reality.which I cannot get rid of. I live now in a world of ghosts.a prisoner in my dreams.īlock: Call it what you will. I see my face.and feel loathing and horror. This is the exchange at the confessional:īlock: I want to confess as best I can.but my heart is void. Life simply goes on without us, and we must hold fast to sweet memories while they last. But feel, to the very end, the triumph of being alive!' Death is a certainty and he makes his presence felt, but where is God? Death himself has no answers to this, and wisely, neither does Bergman. 'I could have purged your worries about eternity,' the squire says, 'but now it's too late. We see the knight faithful to the end, trying to give his life meaning by saving others, and his squire cynical of it all. It's the Dark Ages but the things we find are timeless: cruelty, hypocrisy, lust, and yet also the simplicity of love and the quest for God, however ridiculous His absence may seem. Death is all around, even in the form of a mask used by a troupe of circus performers, which include an innocent young married couple (Nils Poppe and Bibi Andersson) and their small child. Under the torpor and ignorance of religion, the people flagellate themselves and blame and burn a witch. This film established Bergman on the international film scene, and while it may not be perfect, it will always be one of my favorites.Ī knight (Max von Sydow) and his squire (Gunnar Björnstrand) have returned from the Crusades to find Sweden ravaged by the plague. Also fantastic are the scenes of him asking for knowledge of God in a confessional, and the danse macabre on the hillside at the end. Few images in film surpass that of the knight Antonius Block playing chess with Death by the sea at the beginning of Ingmar Bergman's 'The Seventh Seal'.

The seventh seal ingmar bergman 1957